Thursday, January 22, 2015

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Sigiriya
Sigiriya is one of the most valuable historical monuments of Sri Lanka.
Referred by locals as the Eighth Wonder of the World this ancient palace and fortress complex has significant archaeological importance and attracts thousands of tourists every year. It is probably the most visited tourist destination of Sri Lanka.
The palace is located in the heart of the island between the towns of Dambulla and Habarane on a massive rocky plateau 370 meters above the sea level.




Sigiriya rock plateau, formed from magma of an extinct volcano, is 200 meters higher than the surrounding jungles. Its view astonishes the visitors with the unique harmony between the nature and human imagination.
The fortress complex includes remnants of a ruined palace, surrounded by an extensive network of fortifications, vast gardens, ponds, canals, alleys and fountains.
The surrounding territories of Sigiriya were inhibited for several thousand years.
Since 3th century BC the rocky plateau of Sigiriya served as a monastery. In the second half of the 5th century king Kasyapa decided to construct a royal residence here.
After his death Sigiriya again became a Buddhist monastery until the 14th century, when it was abandoned.  
The main entrance is located in the northern side of the rock. It was designed in the form of a huge stone lion, whose feet have survived up to today but the upper parts of the body were destroyed.
Thanks to this lion the palace was named Sigiriya. The term Sigiriya originates from the word Sihagri, i.e. Lion Rock.
The western wall of Sigiriya was almost entirely covered by frescoes, created during the reign of Kasyapa. Eighteen frescoes have survived to this day.
The frescoes are depicting nude females and are considered to be either the portraits of Kasyapa’s wives and concubines or priestess performing religious rituals.
Despite the unknown identity of the females depicted in the frescoes, these unique ancient paintings are celebrating female beauty and have incredible historical significance. 
One of the most striking features of Sigiriya is its Mirror wall.
In the old days it was polished so thoroughly that the king could see his reflection in it.
The Mirror wall is painted with inscriptions and poems written by the visitors of Sigiriya. The most ancient inscriptions are dated from the 8th century.
These inscriptions are proving that Sigiriya was a tourist destination more than a thousand years ago. Today, painting on the wall is strictly prohibited.
The buildings and gardens of Sigiriya show that the creators of this amazing architectural monument used unique and creative technical skills and technologies.
The construction of such a monument on a massive rock approximately 200 meters higher from the surrounding landscape required advanced architectural and engineering skills.
The gardens of Sigiriya are among the oldest landscaped gardens in the world.
Sigiriya has water gardens, cave and boulder gardens, and also terraced gardens.
They are located in the western part of the rock and are with a complex hydraulic system, which consists of canals, locks, lakes, dams, bridges, fountains, as well as surface and underground water pumps.
In the rainy season, all channels are filled with water, which begins to circulate through the whole area of Sigiriya. Fountains of Sigiriya built in the V century, perhaps, are the oldest in the world.
The palace and fortress complex is recognized as one of the finest examples of ancient urban planning. Considering the uniqueness of Sigiriya UNESCO declared it a World Heritage site in 1982. Sigiriya is an unmatched combination of urban planning, water engineering, horticulture and arts. 

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Sri Dalada Maligawa

Kandy was the capital of the Sinhalese Kings from 1592 to 1815. Fortified by a terrain of mountains and the difficult approach Kandy managed to operate in independence from Dutch, Portuguese and the English till 1815. The city is a world heritage site declared by UNESCO, in part due to this temple.
The Sri Dalada Maligawa or The Temple of the Sacred Tooth Relic is a temple in the city of Kandy in Sri Lanka. It was built within the royal palace complex which houses the one of the two surviving relic of the tooth of Buddha, an object of veneration for Buddhists. The other tooth relic is believed to be enshrined in a stupa called Somawathi Chethiya.
The Sri Dalada Maligawa in Kandy, the temple which houses the Sacred Tooth Relic of The Buddha, is possibly the most sacred Buddhist shrine in the world. It is venerated not only by Buddhists in Sri Lanka but by Buddhists all over the world.
King Wimaladharmasuriya I (1592 - 1603), the first to select Kandy as the ruling capital, originally built a two storied temple for the Relic and brought the tooth relic from Delgamuwa near Kuruwita in Sabaragamuwa which had been hidden for protection. Remains of this temple no longer exist.
Wimaladharmasuriya II (1686 - 1706) built a three storied temple and his son King Viraparakrama Narendrasinha (1706 - 1738), the last Sinhalese king to rule the country, built a new two storied temple temple seeing that the old temple built by his father had decayed.
The last king of sri lanka, Sri Wickrama Rajasinghe (1797 - 1814) built the Pattirippuwa (the Octagon). Originally, the Pattirippuwa (octagon) was part of the royal palace. It was used by the king to address his follow countrymen. Today the Pattirippuwa has become a part of the temple and houses ancient textures written in ola leaves.
The entrance to the temple complex is through the "Maha Vahalkada". There are two walls on the sides of the "Vahalkada". The outer wall is called "Diyareli Bamma" ('wall of water ripples'). This same pattern is also used in the wall surrounding the Kandy lake. The inner wall is called "Walakulu Bamma" ('wall of clouds'). Both these walls are built with holes to place oil lanterns during the night.
After passing the "Vahalkada" and the moat, you come to a "Makara Thorana". Next is the tunnel "ambarawa". Passing this you come to the ground floor of the temple complex. The lower floor of the building called "pallemaluwa". This inner chamber is fortified with a large wooden door and decorated with bronze and ivory. The area in front of the door is called the "Hevisi Mandapaya" (Drummers Courtyard) where the daily rituals are carried out.
The tooth relic is kept in the upper floor in the chamber called "Vadahitina Maligawa" The door ot this chamber is covered with gold silver and ivory. The tooth relic is encased in seven gold caskets studded with precious stones. The outer casket is studded by precious stones offered to the tooth relic by various rulers.
On the right to the relic is the "Perahara Karanduwa" (relic chamber used in the annual Asala Mangalaya perahara (procession) kept inside a bullet proof glass display. This has been donated by India. Over the relic chamber there is a golden lotus flower studded with precious stones hanging from the ceiling.
On to the left of the temple is the new building which houses the taxidermised remains of the Maligawa Tusker - Raja. This magnificent tusker was captured in the jungles of Eravur in the Batticaloa District 1925. He was purchased by Tikiri Banda Manampitiya Dissawe for Rs 3,300/- in 1937 and was donated to the temple by him. For over 50 years Raja carried the golden casket which carried the tooth relic and in 1984 he was declared as a national treasure by the government. This is only the second time a tusker has been declared a national treasure. Raja died In 1988 after a long illness and then it was decided that he to be taxidermised. This is first time a tusker has been taxidermised.
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Polonnaruwa, Sri Lanka’s splendid medieval capital was established as the first city of the land in the 11th Century, A.D. It replaced Anuradhapura, which was plundered, made desolate and laid hopelessly bare to the invading armies from South India.
Three Kings dominate the chronicles of the city and the period. The city reached a dazzling but pitifully brief zenith in the 12th century and though ravaged by invasion in the centuries that followed, much evidence remains of the old grandeur and glory.The ruins of the ancient city stand on the east shore of a large artificial lake, the Topa Wewa Lake, or Parakrama Samudraya (the Sea of Parakrama), built by King Parakramabahu I (1153-86), whose reign wasPolonnaruwa‘s golden age. Within a rectangle of city walls stand palace buildings and clusters of dozens of dagobas, temples and various other religious buildings.A scattering of other historic buildings can be found to the north of the main complex, outside the city walls and close to the main road to Habarana and Dambulla.
To see many of the relics excavated from the site such as the stone lion which once guarded the palace of King Nissanka Malla, or the fine Hindu bronzes unearthed from the ruins of the Siva Devale Temple – you may have to visit the National Museum in Colombo, where they are kept. However, with the opening of the new Polonnaruwa Visitor Information Centre and its museum in 1998/9 some of the key exhibits were scheduled to return to the place where they were discovered.


Parakrama Samudraya in Polonnaruwa

Parakrama Samudraya (Sinhala: Sea of Parakrama) built by King Parakramabahu the great, is the largest ancient man-made rainwater reservoir in Sri Lanka while it dominates the western flank of the Polonnaruwa district. The great reservoir spreading over an area of 2500 hectares and having a capacity of 134 million cubic meters of water is the lifeline to the agricultural district of Polonnaruwa and its surroundings. The ancient city of Polonnaruwa, 122 hectares in extent, spreading out to a distance of 5km from north to south and 3km from east to west, is also the beneficiary of cooling breezes of the Parakrama Samudraya.
Within proximity of the Parakrama Samudraya are the ruins of the Kings (King Nissanka Malla) Council Chamber on whose pillars are inscribed the status and titles of various officials of the kingdom.
Parakrama Samudraya in Polonnaruwa
Parakrama Samudraya in Polonnaruwa

Statue of King Parakramabahu in Polonnaruwa

On the Southern side of the Parakrama Samudraya and South of picturesque lakeside Rest house is another well known Polonnaruwa monument: a striking rock carved statue of a man of noble disposition holding a stack of manuscripts.
The statue has generated speculations and arguments concerning its identification. The archaeologists haven’t arrived at a concrete conclusion.The sculpture that rises at a height of 3.5m is believed to be that of King Parakramabahu the great.It could also very well be a representation of the sage Pulasti, after whom the city was named Pulastinagara. Pulastinagara (Sinhala: City of Pulasti) is the pali version of the Sinhala name Polonnaruwa.
Statue of King Parakramabahu in Polonnaruwa
Statue of King Parakramabahu in Polonnaruwa

Palace of King Parakramabahu in Polonnaruwa

Enclosed by ramparts that are four leagues long and seven leagues wide, the Royal Citadel has many interesting monuments. Palace of King Parakramabahu must have been an imposing edifice once, richly decorated and seven storeys high. The remaining walls of the palace are of extra-ordinary thickness and the drainage system is intriguing. A little further on, is the handsome royal bath, the Kumara Pokuna. Across the way is the beautiful Royal Audience Hall – embellished with lion portals, graceful pillars and a moonstone. (a delicately carved stepping stone).
The structural techniques of this period were the same as those of the Anuradhapura period, but there was a greater use of lime mortar, which enabled the building of brick structures of dimensions that were never before attempted.
Palace of King Parakramabahu in Polonnaruwa
Palace of King Parakramabahu in Polonnaruwa

Potgul Vehera in Polonnaruwa

At the southern end of the city, i.e. 100m south of the statue of King Parakramabahu, outside the Royal Garden of Nandana Uyana is the Potgul Vehera, or the Library Monastery’. A central square terrace houses the principal monument, a circular shrine or library where the sacred books were deposited. It is surrounded four small dagobas.
The superior acoustics of Potgul Vehera leads to the conclusion that the library had doubled up as an auditorium on occasions to read the books, read the tenets of Buddhism and chant the blessings called “Pirith” The buildings called Potgul Vihara or library that was utilized for the same purposes as the shrine at Polonnaruwa, can be seen in some of the Buddhist monuments too.
Potgul Vehera in Polonnaruwa
Potgul Vehera in Polonnaruwa

Shiva Devale in Polonnaruwa

Shiva Devale 1 A Hindu Temple of chaste and restrained line dedicated to God Shiva of 12th century vintage.
Shiva Devale 2 Past the north gate of the citadel is the 11th century Hindu temple built entirely of stone. Within in the sanctum is a stone carved lingam or phallus, a symbol of Hindu god Diva. In front of the temple is the Nandi bull, God Shiva’s vehicle.
Shiva Devale in Polonnaruwa
Shiva Devale in Polonnaruwa

Thuparama in Polonnaruwa

Thuparama, a brick-built gedige (Sinhala: vaulted shrine) is in a fine state of preservation. Thuparama, the oldest image house at Polonnaruwa goes back to the reign of King Vijayabahu the first (1055-1110 A.D.).
A brick base is about one meter high with three projections that once carried an image of Buddha, which is now simply a pile of bricks. The stone images in the Thuparama date back to the Anuradhapura period.
Thuparama in Polonnaruwa
Thuparama in Polonnaruwa

Vatadage in Polonnaruwa

Vatadage, a circular relic house possesses an elegance and beauty that is rare even in ancient Sri Lanka. In line with the outer circle of stone pillars is a tastefully ornamented screen wall patterned with four petalled flowers.
The access stairs at the cardinal points are beautifully carved. At the head of each flight is a Buddha statue in stone. Vatadage is lavished with moonstones and guard stones.
Vatadage in Polonnaruwa
Vatadage in Polonnaruwa

Nissanka Lata Mandapaya in Polonnaruwa

Nissanka Lata Mandapaya, built by King Nissankamalla, is an innovative work of art depicting the splendour of classical architecture. The pavilion was believed to be used for chanting Buddha’s teaching while the inscription at the pavilion reveals that the king used to listen to the chanting of pirith, which were Buddhist blessings.
The Nissanka Lata Mandapaya pavilion which is surrounded by Buddhist railings, houses a bubble shaped small dagaba, without its upper part, while it is carved out of stone in the centre. It is possible, the stone carved stupa used to hold the relic casket during pirith chanting.
Nissanka Lata Mandapaya in Polonnaruwa
Nissanka Lata Mandapaya in Polonnaruwa

The Sathmahal Prasada in Polonnaruwa

The Sathmahal Prasada or the seven storeyed edifice is constructed in a stepped pyramidal form that contains seven square levels. According to the archaeologists, the layout of the edifice resembles Vat Kukut at Lamphun, Thailand built in the eight century.
The identity and the purpose of the Sathmahal Prasada haven’t yet been proven. According to the historical chronicles of Sri Lanka, King Parakramabahu the Great had built a stupa in the area and some scholars have assumed the building was in fact a stupa. A similar building discovered in Anuradhapura is known by the name of Nakha Vehera.
The Satmahal Prasada in Polonnaruwa
The Satmahal Prasada in Polonnaruwa

Hatadage and Atadage in Polonnaruwa

Hatadage and Atadage are Sacred Tooth relic temples in Polonnaruwa built by king Wijayabahu and king Nissankamalla. The 11th century Atadage and the 12th century Hatadage both housed the Sacred Tooth Relic of Buddha. Both are handsome structures embellished with fine carvings.
Having liberated Sri Lanka from the Dravidian invaders, King Vijayabahu setup his capital at Polonnaruwa and built the Atadage so that the sacred tooth relic of Buddha and the Bowl relic could be deposited. The ground floor was the image house.
The Atadage, an enlarged version of Hatadage, was built by King Nissankamalla to house the Sacred Tooth Relic and Bowl Relic. The impressive building with the ground floor serving as an image house is accessed by a masterfully carved doorway. Inscriptions by King Nissankamalla inscribed on the walls are now discoloured.
Hatadage and Atadage in Polonnaruwa
Hatadage and Atadage in Polonnaruwa

Gal Potha (Stone Book) in Polonnaruwa

Gal Potha is a massive 26 ft slab of stone that lies by the side of the Hetadage in which King Nissankamalla had his own deeds recorded in stone.
The inscriptions also contain particulars of King Nissankamalla’s genealogy and his wars with Dravidian invaders from South India. The inscription itself says that the slab of stone was brought to the location from Mihintale.
The inscription has been of great assistance to the scholars since it also reveals evolution of the Sinhala script. On the side of Gal Potha are two stone carved Elephants sprinkling water on goddess Lakshmi, the Hindu Goddess of Prosperity.
Gal Potha (Stone Book) in Polonnaruwa
Gal Potha (Stone Book) in Polonnaruwa

Pabalu Vehera in Polonnaruwa

Pabalu Vehera is believed to be built during the late Anuradhapura period and enlarged during the Polonnaruwaperiod. The stupa is surrounded by four image houses located in the cardinal points. The limestone statues of Buddha are sculpted in different postures. In the image house on the south is a Samadhi Buddha statue, which is a fine work of art. In front of Pabalu Vehera to the north is the main street of the ancient city of Polonnaruwa. Now reduced to a mere footpath with encroaching weeds and bushes, it is a fine walk to enjoy the landscape populated with birdlife.
Pabalu Vehera in Polonnaruwa
Pabalu Vehera in Polonnaruwa

Rankoth Vehera in Polonnaruwa

Rankoth Vehera built by King Nissankamalla, is the largest dagoba in PolonnaruwaRankoth Vehera had followed the traditions of early stupas built in Anuradhapura. The enormous dagoba that measures 550 ft. in girth belongs to the Alahana Pirivena monastery complex.
Around the enormous dagoba are image houses and flower alters set in the wide sand terrace surrounding the stupa. At the four central points are Vahalkadasa or front entrance enclosures built of brick, with four flights of steps providing admission to devotees.
The inscription on the stone-seat in front of the dagoba says that King Nissankamalla used to supervise the construction of the Rankoth Vehera. Another inscription on the platform to the south narrates that King Nissankamalla used to worship the dagoba from the pavilion.
Rankot Vehera in Polonnaruwa
Rankot Vehera in Polonnaruwa

Lankatilaka in Polonnaruwa

At the heart of the Alahana Pirivena is the remains of the towering Lankatilaka shrine, one of the most splendid of Buddhist shrines in Asia in the 12th century. This enormous brick structure consists of include 55ft. high walls, elaborate carvings and a colossal image of Buddha. The Lankatilaka shrine Image House is a fine example of vaulted shrines called gedige’s. The colossal Buddha statue today sans the head, when intact would have measured 41ft in height. The exterior of the walls are decorated with stucco figures and architectural models. On the right balustrade is carved an exquisite figure of great beauty, which is believed to
be Nagini, the female counterpart of Nagaraja. Though Naga images are common in the guard stones at cultural monuments in Sri Lanka, the Lankatilaka shrine is the only example where such images are found in balustrades.
Lankatileke in Polonnaruwa
Lankatileke in Polonnaruwa

Kiri Vehera in Polonnaruwa

Kiri Vehera is just ahead of Lankatilaka. The milk-white shrine was named Kiri Vehera (Sinhala: Milk coloured stupa) for its exterior of gleaming white, built by Queen Subhadra, a consort of King Parakramabahu. Noted for its perfect proportions, Kiri Vehera is the best preserved of Sri Lanka’s dagobas. A three-chambered relic bloc that was found while excavating a large mound to the east of Kiri Vehera reveals the structure and composition of relic chambers during the Polonnaruwa period. In addition to that, the excavations have unearthed many mounds which were originally minor stupas containing the corporeal remains of the royal family and the prelates of the monastery.
On the lower terrace towards the west of Kiri Vehera are ruins of a chapter-house or a assembly hall for the Buddhist monks.
Kiri Vehera in Polonnaruwa
Kiri Vehera in Polonnaruwa

Gal Viharaya in Polonnaruwa

Gal Viharaya or the Rock Temple, which is unparallel among such ancient monastic edifices, takes the form of a group of colossal Buddha statues carved out of a granite boulder. Most prominent is the standing image, 7m (23ft) tall.
Next to it is an enormous 14m (46ft) reclining Buddha. The head rests on the right palm, while the left hand is stretched along the left side of the body. The dent on the pillow caused by the weight of the head and the slightly drawn angle in the left leg adds life to the superb rock carved work of poise and balance.
Next to the reclining Buddha statue is the standing figure of Buddha. According to archaeologist Dr. Senerath Paranavitana, the pose and the facial expression of Buddha shows his supreme compassion towards the suffering.
The seated Buddha statue on the southern end with a backrest decorated in an arch is carved in front of the seat.
Gal Viharaya in Polonnaruwa
Gal Viharaya in Polonnaruwa

Nelum Pokuna (Lotus Bath) in Polonnaruwa

500m north of the Demala Maha Saya is the Nelum Pokuna (Sinhala: lotus pond), built by King Parakramabahu the great in a design of 8 petaled lotus flowers. The Lotus pond is believed to have been used for ritual baths for the pilgrims visiting Tivanka-patanaghara image house.
Nelum Pokuna (Lotus Bath) in Polonnaruwa
Nelum Pokuna (Lotus Bath) in Polonnaruwa

Tivanka Image House in Polonnaruwa

Tivanka image house, located 400m north of the Lotus Pond, is so named following the thrice bend yet towering The Buddha Statue therein. The head and neck of the Buddha statue have now come off. Tivanka means three bends in Sinhalese. The Buddha statue is bent at three places: at the knees, at the waist and at the shoulders. The inner walls as well as the outer walls of the image house are exquisitely decorated.
The paintings on the outer walls are purely decorative with figures of lions, gansas and dwarfs. The murals on the inner walls are masterpieces. Yet those 12th century frescoes depicting scenes from tales of previous lives of Buddha have now faded. According to the scholars these paintings depict a blend of popular and classical styles.
Tivanka Image House in Polonnaruwa
Tivanka Image House in Polonnaruwa

Archaeological Museums in Polonnaruwa

This is a Modern museum located by the side to the Parakrama Samudraya while at present is home to original artefacts found in Polonnaruwa and also replicas and artistic impressions of the ancient monuments in the area.
Archaeological Museums in Polonnaruwa
Archaeological Museums in Polonnaruwa